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Figuration narrative, un autre langage pop

Musée d’art de Pully
Pully, Switzerland
September 13 – December 15, 2024

Kiki Kogelnik’s work Mono, c. 1970, is included in the exhibition Figuration narrative, un autre langage pop at the Musée d’art de Pully which is celebrating its 75th anniversary. Through a selection of over 80 works from the Fondation Gandur pour l’Art, the exhibition invites visitors to rediscover a little known movement in the art scene of the 1960s and 1970s: narrative figuration. The exhibition is curated by Yan Schubert, Fondation Gandur pour l’Art, Geneva, and by Victoria Mühlig, Musée d’art de Pully.

Art Basel 2024

Mitchell-Innes & Nash, Booth F6
Pace, Booth A7
Messe Basel, Basel, Switzerland
June 10 – 16, 2024

Art Basel 2024 brings the opportunity to encounter two rarely seen Kiki Kogelnik paintings. Untitled (It Hurts), c. 1974, (Pace, Booth A7) was begun as part of Kogelnik’s celebrated It Hurts series, 1974-1976. In this instance, she chose not to add the yellow domestic items which could be weaponized and perhaps suggests instead psychological damage. Untitled (Still Life with Hand and Gun), c. 1964, (Mitchell-Innes & Nash, Booth F6) features a more traditional symbol of violence.

Kiki Kogelnik: The Dance

Pace
London, UK
May 24 – August 3, 2024

We are pleased to annouce Kiki Kogelnik’s first solo presentation in London and with Pace. This exhibition showcases 37 artworks of various media from three decades of Kogelnik’s artistic production; some of them are on display for the first time since their creation. 

 

 

La main (et) le gant

Musée Jenisch Vevey
Vevey, Switzerland
May 17 – August 18, 2024

Kiki Kogelnik is included in the exhibition La main (et) le gant (The Hand (and) the Glove), curated by Philippe Piguet, with her painting Really George, You Shouldn’t Have (1966). The thematic show presents a wide selection of works, divided into seven sections, shedding new light on the different functions and dialectical relationships of the hand and the glov

The Infinite Woman

Fondation Carmignac
Porquerolles Island, France
April 27 – November 3, 2024

Kiki Kogelnik is included in the exhibition The Infinite Woman, curated by Alona Pardo, with her painting Miss Universe (1963). The works in the exhibition disrupt conventional ideas of womanhood to reflect on feminine power and how the representation of women has shaped global cultural attitudes.

Pop Art. The Bright Side of Life
From Hundertwasser to Kiefer. From the Symbol of Freedom to the Shadows of the Past
Albertina Klosterneuburg

Klosternbeuburg, Austria
April 10 – November 3, 2024

Kiki Kogelnik is represented in two of the opening exhibitions at the Albertina Klosterneburg: Pop Art. The Bright Side of Life and From Hundertwasser to Kiefer. From the Symbol of Freedoch to the Shadows of the Past. The Albertina Klosterneburg is the third location of the Albertina Museum and the first outside Vienna. Its galleries are dedicated to making a large part of its collections pf past-1945 art accessible to the public.

Kiki Kogelnik: Retrospective

Kunsthaus Zürich
Zurich, Switzerland
March 22 – July 14, 2024

We are happy to announce that the survey exhibition Kiki Kogelnik: Retrospective is now open at the Kunsthaus Zürich, Switzerland. It features over 130 works from four decades of Kogelnik’s art production. Organized by Cathérine Hug for the Kunsthaus Zürich, it includes paintings, sculptures, drawings, ceramics and works in glass, plus archive material.

This is the final venue of the exhibition produced by the Kunstforum Wien, Vienna, in collaboration with Kunstmuseum Brandts, Odense, Kunsthaus Zürich, and the Kiki Kogelnik Foundation.

Le monde comme il va

Pinault Collection, Bourse de Commerce
Paris, France
March 20 – September 2, 2024

We are delighted to announce Kiki Kogelnik’s inclusion in the exhibition Le monde comme il va (The World As It Goes) as part of the Pinault Collection on display at the Bourse de Commerce, together with works by Bertrand Lavier, Anne Imhof, Jeff Koons and General Idea, amongst others. Three ceramic sculptures by Kogelnik are featured which recently joined the Pinault Collection, includig R = R (1975). The exhibition is curated by Jean-Marie Gallais.